(23 June 1675 - 11 April 1760) was a French portrait and history painter. He was court painter to King Augustus II of Poland, and director of the Royal Academy of Arts in Dresden.
Sylvestre was born in Sceaux, south of Paris, the third son of Israel Silvestre, the notable engraver and drawing-master to the Dauphin himself. Louis was taught initially by his father, then trained under Charles Le Brun and Bon Boullogne; he completed his studies in Rome, where he met Carlo Maratta, whose work had a great influence on him.
After his return to Paris, Sylvester entered the Royal Academy in 1702 and was appointed professor in 1706. Related Paintings of Louis de Silvestre :. | Portrait of Maria Josepha of Austria | Friederike Alexandrine Grafin von Moszinska | Anna Orzelska in riding habit | Baroque architect | Portrait of Heinrich von Brehl | Related Artists:
BECCARUZZI, FrancescoItalian painter, Treviso school (b. ca. 1492, Conegliano, d. before 1563, Treviso)
Francesco Beccaruzzi (c. 1492 - 1562) was an Italian painter of the Renaissance era, active near his hometown of Conegliano and in the neighborhood of Treviso. He was influenced by both Il Pordenone and later Titian. He painted Saint Francis receiving stigmata (1545) from Conegliano, but now in the Accademia in Venice.
MOLENAER, Jan MienseDutch painter (b. ca. 1610, Haarlem, d. 1668, Haarlem).
Dutch painter and draughtsman. The surprisingly large oeuvre of this remarkably versatile genre painter displays an inventive symbolism, wit and humour, which identify him as the true forerunner of Jan Steen.
Marmion, SimonFrench-born Flemish Northern Renaissance Painter, ca.1425-1489
French illuminator and painter. He was trained in Amiens and established a productive workshop in Valenciennes, but at the end of his career appears to have had connections with manuscript painting in the southern Netherlands. Although no signed or documented works survive, many illuminated manuscripts and some panel paintings have been convincingly attributed to him and his workshop. On the basis of these he has been recognized as an important figure in the development of both French and Netherlandish painting.
